It wants strained dialogue where the characters carefully choose each word and emotion before opening their mouths. Courtesy of FilmDistrict and Bold Films and OddLot Entertainmentįor some god unbeknownst reason, Drive wants to be taken seriously. However, the film is all style and aesthetic violence, and it sadly does not know its own nature. #DRIVE 2011 FILM HOW TO#It’s full of sun drenched, color infused, neon 80s nostalgic brilliance and actors who know how to shut up and look pretty. Everything in the frame has to physically turn him on, and if it doesn’t, he won’t shoot it.” I am sure Gosling meant the remark as compliment, and of course it is. In the aforementioned interview, Ryan Gosling claims that director Nicolas Winding Refn “fetishizes the frame. Even if you have heard rumors of the film’s misrepresentation, of its true art cinema inflections and the slow burn narrative, you still are not likely to know what to expect. If you are expecting Gone in 60 seconds (2000) or The Fast and the Furious (2001), you are going to be depressed by the end of it. The poster is all grit and masculine energy, Rotten Tomatoes has posted an interview claiming that Drive is Ryan Gosling’s “superhero movie”, and the trailers and TV spots feature almost all the driving in the actual film. Moving towards an aggressive theater launch, Drive has featured a lot of dizzying, full throttle marketing ploys that suggest Hollywood escapist thrills.
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